In stores! Batman: The Brave and the Bold issue 18!

Yeah... this arrived a week or two ago. But with the convention looming and a 160 page graphic novel to work on... well... you know. Anyway, here's some reviews.

BWMEDIA SPOTLIGHT: "Even if you have the sampler, I recommend picking this up."

CBR: "...another example of a solid superhero comic written and drawn well."

Axiom's Edge: "Another good kid-friendly “epic” in this line."

Every Day is Like Wednesday: "I love Walker’s Brave and the Bold Batman."

Pull List Podcast: "One of my favorite teams on Batman: The Brave and the Bold."

Hero Sandwich: "Verdict: Thumbs up. Fun story with a few twists and turns. "

ComixTreme: "Walker and Jones are easily one of the finest creative teams doing all-ages comics today, and while this is good work, it's not really their best."

Bloggity-Blog-Blog-Blog: "Good stuff in this one, but I wonder if it'll go above the heads of some younger readers?"

In general, this isn't my favorite of our issues. The structure of the book (an 8 pager and a 12 pager) was an abrupt shift, and due to the decision to have a part of this issue included in Free Comic Book Day, I only had a few hours to write both stories. That said, this issue also has one of my favorite moments:

I lifted the scan from the ShadowWing Tronix at BWMEDIA. Because I'm too lazy to scan it myself. Plus: I don't have a copy yet.

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FROM YEAR ONE TO DARK KNIGHT RETURNS: A BATMAN CHRONOLOGY - REVISED

FROM YEAR ONE TO DARK KNIGHT RETURNS: A BATMAN CHRONOLOGY Back in 1986 I picked up a comic off the shelves that changed my perception of sequential storytelling. I was 15 years old at the time and had been reading comics for as long as I could remember. Batman had long been my favorite character. Well, more specifically Robin had been - ever since I was three years old and I encountered re-runs of the 1960's Batman TV series. I was even lucky enough to meet Burt Ward (in his Robin costume) at a car show in 1976. Considering where my career has landed, it is easy to argue that this exposure was impactful. To clarify: I'm a professional comic book writer, and have been producing stories since around 1992. I managed to write a few Batman related comics in the late 00's. But long before this, dating back to that day in 1986 when I found a copy of Dark Knight Returns on the shelf, I have been trying to formulate in my own head a complete and functional Batman chronolog...

Supergirl: Cosmic Adventures in the 9th Grade - Concept art

Been sitting on this for a couple of years now. Figured might as well let people see a bit of what we had been thinking for Supergirl's future as she enters the turbulent world of high school. One of the things I would like to point out about these images is the evolution of Kara's design. When the first series was announced (along with an image never intended for the public) the common complaint was that our Supergirl was boyish. That she was rough looking. That she looked awkward and maybe even a little weird. Eric could have drawn Supergirl as the epitome of style and grace. But that wouldn't have been our Supergirl. Our Supergirl was a character who needed to grow. She was overly self-aware, insecure and gangly, that's part of being a young teenager (particularly as younger teens see themselves from within) and therefore an important part of the storytelling. I think with the slight changes to the artwork here we really begin to see Kara's self confidence manife...

Mezmerella incorporated into Pixar/Incredibles float at Disneyland California Adventure.

A life size cutout of Mezmerella is a part of the "Pixar and Pals" presentation at Disneyland/California Adventure. Mezmerella was created in late 2009 for the Boom! Studios Incredibles series I was co-writing with Mark Waid. Although he did not work on the Incredibles, Eric Jones stepped in and designed the character, which in turn was rendered by Marcio Takara (I think it's his art used here) and Ramanda Karmarga (who I believe drew the Underminer in the above image). The colors scheme for the character was selected by editor Aaron Sparrow and the name (originally Hypnotica) was the idea of my wife, Belinda Adams. So alot of credit goes to alot of people for the character. It's pretty exciting seeing something I conceived of being a part of a Disney attraction of any kind. Even more fun to see young children interact with the inanimate character by throwing things at it. My favorite quote from the video: "Mezmerella gets kneecapped!" Here the full video: ...

Notorious Crackpot

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