Skip to main content

Go to hell, (a few very specific) Kate Beaton fans.

Look, I get that you were anxious to see Kate Beaton speak on a panel at APE this past weekend. Her comics are awesome and her art is fantastic. By all accounts, she's also very nice. I'm a fan of her work myself. So... sure. You want to make sure you have good seats. I get that.

But listen, that panel you came in on that was only halfway through? The one that was running before Kate Beaton's panel? The one that you pushed your way into the few empty seats left up near the front - sandwiching your way in-between teary eyed - and in some cases - openly weeping people?

It was a fucking memorial.

Yeah, you basically crashed a memorial for someone very dear to the world of comics who died at a young age just so you could make sure you had the very best seats to see Kate Beaton talk in a panel that will probably be available on the internet.

Now, to be fair: Some of you waited patiently in the back. No problem with you guys. Some of you didn't wait in the back - but had the good taste to get up and leave when you realized what was happening. You're okay too. But some of you stuck to your guns, ignoring the emotional upheaval around you, and played games on your phone.

You're the ones I take issue with. I honestly wanted to walk down from the table I was sitting at, and punch you right in your faces. But I didn't, mainly because I have more courtesy than you showed yourselves capable of. Yes, it was a memorial open to the public. But if you're going to crash such a thing, maybe you should at least pretend to pay attention, rather than gossip with each other while smiling and pointing to things in the program guide between your inconsiderate bouts of texting. It was rude and it was distracting and it was a perfect example of what I have learned to hate in comics fandom and humanity in general.

Yes, you were few. But it takes very few people to disrupt a memorial. Seriously, what the hell were you thinking? And how the hell can you feel okay with what you just did?

Oh wait, I know the answer. You didn't care. You don't care. Because you're self entitled assholes. Thanks so much for reinforcing my hatred of the world.

Comments

Popular posts from this blog

FROM YEAR ONE TO DARK KNIGHT RETURNS: A BATMAN CHRONOLOGY - REVISED

FROM YEAR ONE TO DARK KNIGHT RETURNS: A BATMAN CHRONOLOGY Back in 1986 I picked up a comic off the shelves that changed my perception of sequential storytelling. I was 15 years old at the time and had been reading comics for as long as I could remember. Batman had long been my favorite character. Well, more specifically Robin had been - ever since I was three years old and I encountered re-runs of the 1960's Batman TV series. I was even lucky enough to meet Burt Ward (in his Robin costume) at a car show in 1976. Considering where my career has landed, it is easy to argue that this exposure was impactful. To clarify: I'm a professional comic book writer, and have been producing stories since around 1992. I managed to write a few Batman related comics in the late 00's. But long before this, dating back to that day in 1986 when I found a copy of Dark Knight Returns on the shelf, I have been trying to formulate in my own head a complete and functional Batman chronolog

Supergirl: Cosmic Adventures in the 9th Grade - Concept art

Been sitting on this for a couple of years now. Figured might as well let people see a bit of what we had been thinking for Supergirl's future as she enters the turbulent world of high school. One of the things I would like to point out about these images is the evolution of Kara's design. When the first series was announced (along with an image never intended for the public) the common complaint was that our Supergirl was boyish. That she was rough looking. That she looked awkward and maybe even a little weird. Eric could have drawn Supergirl as the epitome of style and grace. But that wouldn't have been our Supergirl. Our Supergirl was a character who needed to grow. She was overly self-aware, insecure and gangly, that's part of being a young teenager (particularly as younger teens see themselves from within) and therefore an important part of the storytelling. I think with the slight changes to the artwork here we really begin to see Kara's self confidence manife

Mezmerella incorporated into Pixar/Incredibles float at Disneyland California Adventure.

A life size cutout of Mezmerella is a part of the "Pixar and Pals" presentation at Disneyland/California Adventure. Mezmerella was created in late 2009 for the Boom! Studios Incredibles series I was co-writing with Mark Waid. Although he did not work on the Incredibles, Eric Jones stepped in and designed the character, which in turn was rendered by Marcio Takara (I think it's his art used here) and Ramanda Karmarga (who I believe drew the Underminer in the above image). The colors scheme for the character was selected by editor Aaron Sparrow and the name (originally Hypnotica) was the idea of my wife, Belinda Adams. So alot of credit goes to alot of people for the character. It's pretty exciting seeing something I conceived of being a part of a Disney attraction of any kind. Even more fun to see young children interact with the inanimate character by throwing things at it. My favorite quote from the video: "Mezmerella gets kneecapped!" Here the full video: